Occasionally, linear depigmented streaks and localized zones of mild hyperpigmentation occur at the anterior margin of these lesions. Although most of these lesions remain rather stationary, concentric enlargement has been demonstrated in up to 74–83% of cases ( Figure 12.01 H and I). These lacunae may show progressive enlargement, and eventually the entire lesion may become depigmented ( Figure 12.01 G). Hypopigmented or depigmented lacunae within these lesions are frequently evident, particularly in older patients ( Figures 12.01 B, D, E, and I, and 12.03 G and H). Although most CHRPE are between one and two disc diameters, some may occupy an area equal to one quadrant of the fundus ( Figure 12.01 B). There is often a halo of depigmentation just inside the outer edge of these lesions ( Figure 12.01 E and F). However, CHRPE in macula and juxtapapillary location are rare. A CHRPE may occur anywhere in the fundus. They are usually solitary but may be multiple and grouped in a pattern suggesting animal tracks ( Figure 12.01 A). Solitary-type CHRPEs are well-demarcated, slightly elevated, gray-brown to black, oval, round, or occasionally geographic lesions with smooth or scalloped margins ( Figures 12.01–12.03 ). Solitary-Type Congenital Hypertrophy of the Retinal Pigment Epithelium (CHRPE) Melanotic Nevi of the Retinal Pigment Epithelium It is important to realize that reactive proliferation of RPE, retinal glial cells, and retinal vascular endothelial cells can occasionally duplicate the clinical and histopathologic changes of all of the RPE hamartomatous lesions discussed in this chapter. Developmental uveal melanocytic nevi have been described in Chapter 14. A nevus is a “birthmark a circumscribed malformation of the skin, especially if colored by hyperpigmentation or increased vascularity it may be predominantly epidermal, adnexal, melanocytic, vascular, or mesodermal, or a localized overgrowth of melanin-forming cells arising in the skin early in life.” Ophthalmologists have adopted the term “nevi” to refer to developmental melanocytic lesions of the uveal tract, and it has been suggested as an appropriate term to describe developmental placoid lesions of the RPE. Stedman’s Medical Dictionary defines a hamartoma as: “a focal malformation that resembles a neoplasm grossly and even microscopically, but results from faulty development in an organ it is composed of an abnormal mixture of tissue elements, or an abnormal proportion of a single element, normally present at that site, which develops and grows at virtually the same rate as normal components, and is not likely to result in compression of the adjacent tissue (in contrast to neoplastic tissue).” A choristoma is defined as a “mass formed by maldevelopment of tissue of a type not normally found at that site.” Phacoma is defined as “a hamartoma found in phacomatosis,” a group of hereditary diseases characterized by hamartomas of multiple tissues. It appears that solitary CHRPE and congenital grouped pigmentation differ clinically from the multiple pigmented lesions seen with familial adenomatous polyposis and that patients with these conditions, as well as their relatives, are not at a greater risk of developing intestinal cancer.The terms “hamartoma,” “choristoma,” “phacoma (mother spot),” and “nevus” are used to describe benign developmental tumors or placoid lesions. This is much lower than would be expected from a survey of patients with the typical fundus lesions seen with familial adenomatous polyposis. Among more than 2000 of their blood relatives, only 20 had intestinal polyposis or colonic cancer (1%). Of the 132 patients with previously diagnosed CHRPE, there were none with familial adenomatous polyposis, Gardner syndrome, or intestinal cancer, and only one patient had a history of intestinal polyps. Patients and their physicians were contacted by telephone to complete a detailed questionnaire designed to detect signs or symptoms of familial adenomatous polyposis or Gardner syndrome among these patients with CHRPE and their relatives. Review of charts and follow-up studies were performed on all patients diagnosed and coded as having solitary CHRPE or its multifocal variant (congenital grouped pigmentation bear tracks). This study was undertaken to determine whether the typical lesions of CHRPE, seen frequently by ophthalmologists, also were indicators of familial adenomatous polyposis. Although atypical, such lesions have been called congenital hypertrophy of the retinal pigment epithelium (CHRPE). It has been recently documented that multiple bilateral pigmented lesions at the level of the retinal pigment epithelium may be an indicator of patients with familial adenomatous polyposis who are prone to develop intestinal cancer, particularly if there is a positive family history of these intestinal disorders.
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Online applications for this program will open in mid-January 2022.įord said while he understands people will be angered and confused by the new restrictions, the result of inaction would be "catastrophic." To assist small businesses through the latest round of closures, the government says it is expanding its Business Costs Rebate Program.Įligible businesses will receive rebate payments equivalent to 50 per cent of the property tax and energy costs they incur while they are subject to the current capacity limits. Museums, galleries, zoos and science centres must close. Indoor meeting and event spaces must close and public libraries are limited to 50 per cent capacity. The government also said businesses and organizations are required to ensure employees work remotely, unless the nature of their work requires them to be on-site. "The level of absenteeism we're seeing in other sectors tells us with absolute certainty that operating schools, ensuring teachers are on the job and not home sick will be a challenge we cannot overcome in the short-term, “ Ford said. While school will be closed for in-person learning, buildings will be allowed to remain open for child-care operations, and to provide instruction for students with special education needs who are unable to learn at home.ĭuring this period of remote learning, free emergency child-care will be provided for school-aged children of health-care and other eligible front-line workers.
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V.2.8: Moved "Insane Downforce" to table so it won't break anything,added "Ghost Car" toggle it and your car won't hit props(Note: ghost car applies for all cars,not only yours,still can't go through walls) V.2.7: Found down force address & made a function,added more function & addresses in "Table" & etc. Removed function that disables checkboxes & removed airbreak (i can't do the side move) V.2.6: Deleted some teleport places because some of them are connected to the one place(drift track) and replaced them with drift park,added debug tab (yup and don't touch this), V.2.5: Added button to print functions name(only for debug purposes),added teleport to nearest vehicle and airbreak (experimental) V.2.4: Made some limits to hotkeys (if game was paused you was able to still press hotkeys,even you was in control change,except debug camera) V.2.3: Replaced a with TrainerSettings.ini that added more lines of code,disable all check boxes if game is not found or not attached,added button to re-attach to game process V.2.2: Added more function and combo box variants V.2.1: Added autostart files(read Table Extras) V.1.8: Added functions,one of them is teleport(And make sure you'll read Table Extras) V.1.7: Moved form create function into lua table,added more function V.1.5: Added "Drift Physics Control" (i've used c code to do this function) V.1.4: Disable all functions if closing form,removed function that hides Cheat Engine's forms V.1.3: Removed "Update Values" button,added timer (instead of button used timer) V.1.2: Form(all scripts are moved in form,added "Update Values" button) Woohoo! Now I can do remote tech support more effectively.As AWS Security Groups will allow you to Allow a particular IP, or particular range of IPs for SSH Inbound, it's kind of pointless having a Bastion Host for this use case. Now I am on a computer in someone elses network. When I tried ssh’ing into port 2222 of my home server I was redirected to the Pi. Right after the Pi got an IP address it created a tunnel to my home server. It looks weird when you stare at it but put it behind a plant and nobody will ever notice it (except the guy who waters the plants). I have this plugged into an office somewhere. Here are pictures of it in its special case: Lastly was finding a black ethernet cable so both cables coming out of the power brick are black and look inconspicuous. This way when I power up the brick, it’ll give power to the USB charger which will in turn power the Pi. Then I soldered where the powerbrick power feed is into the USB power feed. Took the plastic casing off to save space and cut the cord to save even more space. In order to do this I simply took apart a USB charger. I had to solder off the S-Video port to get it to fit just right. I found an old powerbrick for a laptop and gutted it. Once the tunnel is up, anyone who ssh’s into port 2222 of the linux server will then be redirected to the Pi. The tunnel it creates is really a reverse remote tunnel. When the Raspberri Pi is on, it will check every minute to see if an ssh connection to your linux server exists. Now let’s take a step back and look at what we’ve done. To troubleshoot any problems in this you can view the tunnel.log file. Confused? Here look at this command you would issue from the Pi: Create a reverse remote ssh tunnel to that host to forward connections back to the Pi. So now you want to set it up so the authentication is certificate based (this way the Pi can be set up to auto ssh into the server without being prompted for a password).įollow this guide for setting up automatic ssh login using ssh keys. Setting up the ssh certificate on the Piįrom the Raspberry Pi you should be able to ssh to this linux server. All I’ve done is forwarded port 22 through the firewall to a linux server to make this work. Even though my home network gets a dynamic IP from my ISP it usually stays the same for weeks and even years. One that you can ssh into from anywhere in the world. What you’ll need is a linux server that has a persistent IP. Well you don’t know its IP and even if you did it is probably behind a firewall which makes it impossible to get to. With the above, you should be able ssh to the Pi remotely if you know its IP. It should be easy enough to figure out how to complete these on your own. This server should have a static public IP. A seperate linux server that is reachable by ssh from the internet.Raspberry Pi is configured to receive ssh connections.Raspberry Pi is configured to receive a DHCP address.Pre-configurationīefore beginning you need to have the following: I want it to be a plug in and run away type of scenario and not one that I’ll be hooking up any monitor or keyboard or anything. I know my home’s IP but I don’t know the Pi’s IP. The problem is that if I plug this in somewhere in the world and leave it I need it to phone home so I can gain remote connectivity to it. Then if I could access it remotely I am in their network and can do things. The idea was to be able to plug it in somewhere and it be small enough that it’s not noticed in someone’s network. When I received my raspberry pi I immediately wanted to use it as a hacking remote tech support tool. What’s this? Just an ordinary powerbrick? Read on to find out why this is an incredibly dangerous thing to see in your office. If what Hegai ordered was a milk bath, a bubble bath, a revitalizing shampoo, exotic herbs, or whatever it was, Esther followed it. The Bible also doesn’t say what was it that Hegai ordered, but it must have been important, because he was the king’s eunuch. The Bible tells us that whatever Hegai advised, ordered, and recommended Esther, she did. In the book of Esther, Hegai the king’s eunuch can symbolize the guidance of the Holy Spirit, who prepares us to meet with our King, our Lord Jesus, in his Second Coming.Įsther can represent us, the followers and disciples of our beloved Lord Jesus, who desperately NEED all the help we can get in this troublesome life. And Esther obtained favor in the sight of all who saw her”. Following The Holy Spirit’s Guide For Your Life Is Extremely ImportantĮsther 2:15: “She requested nothing but what Hegai the king’s eunuch, the custodian of the women, advised. Just like He did for Esther, the Lord is working in all the “behind the curtain” processes in your life. This passage on the book of Esther is a symbol from God on how all things for our beautiful Lord work for his perfect purposes. Her presentation before the king was not voluntary, and the circumstances that brought the separation from her only relative, Mordecai were out of her control as well.īut, as we are blessed to know how this story ended, we know that God was working according to his perfect will in situations that seemed negative and out of control to bring illustrious outcomes. Let’s discover the 10 of the best lessons from the book of Esther you must use to strengthen, inspire, and transform your faith now.Įsther 2:12: “Each young woman’s turn came to go in to King Ahasuerus after she had completed twelve months’ preparation, according to the regulations for the women, for thus were the days of their preparation apportioned: six months with oil of myrrh, and six months with perfumes and preparations for beautifying women”.Įsther had to undergo a detailed, delicate and extensive process of preparation before going to be presented before the king Xerxes(also called Ahasuerus). Last But Not Least: God’s Name Is Not Even Mentioned Once In The Book Of Esther God Can Bring Something Beautifully Good Out Of Something Bad Pray For Having The Virtue Of Esther: Listening Your Origin Doesn’t Matter, God Can Use You For Great Things God Will Give You More Abundantly Than You Can Think Or Imagine Be In The Presence Of God Before Facing Problems If You Don’t Act For The Lord, He Will Use Another Following The Holy Spirit’s Guide For Your Life Is Extremely Important The Lord Is Always Working In The “Behind The Curtain” Of Your Life.Let’s discover the 10 of the best lessons from the book of Esther you must use to strengthen, inspire, and transform your faith now. The position of one of the dowels at the end can be adjusted to alter the tension of the warp threads. One band is wide and sewn together to create the bags's body while the other much thinner band that coordinates perfectly, becomes the bag's strap and part of its closure. Inkle Looms are constructed with wooden framework in which wooden dowels are fixed to carry the warp threads. This clever use of two sizes of inkle bands by Trudy Sonia will start your imagination flowing. Inkle bands to make a bag for a Mini Tablet Wear the pincushion around your neck or hang it from the castle of your loom. The unique split straps and the tubular inkle-woven trim makes this project an interesting departure from traditional inkle bands. Designed by Amy AbbottĪ wide inkle-woven band is divided into two narrower bands to make handy hanging straps. Weave a band and create A Pincushion Necklace. Discover how great bands and belts can be for experimenting with color with this project. Weave these versatile bands to create a sturdy belt or strap. These inkle-woven bands take advantage of the unique design principles of Guatemalan jaspe fabrics as well as their rich and glorious rainbows of colors. Jaspe-inspired bandsĬhristi Eales Ehler wove bands to coordinate with fabrics she purchased in Guatemala After you've woven a long band, you'll cut it into pin-sized pieces then add a backing, and pin hardware. You use one color weft and simply alternate between the two sheds to create stars and stripes. This US flag-inspired pattern looks like it might be complicated but the design is all taken care of in the colorful warp. It is a great introduction to patterned inkle weaving. This beautiful hatband was created using pick-up to create the "S" motifs. It can easily be disassembled for travel when needed. This lightweight, portable loom is suitable for small projects like hatbands (see below) and bookmarks. Learn how to construct a loom, warp it, and weave a project all within a weekend. To build this PVC loom, you’ll need to gather a few basic hand tools and take a trip to your local hardware or home improvement center. Here's a sneak-peek at the inkle-loom weaving patterns inside: How to make a PVC loomĭIY Inkle loom designed by Sharon Kersten Inkle-loom weaving patterns and tips in this free eBook cover a lovely array of fabric types in many different materials. The scene can be shared with anyone, viewed and interacted with, displayed on a tablet or a high-resolution touch panel using the KeyShot Viewer. KeyShot users first apply their light and material within KeyShot then save a KeyShot scene file. With quick output of a KeyShot scene file at any time, the use of KeyShot Viewer fits perfectly within the product development workflow. This allows designers, engineers and 3D professionals a way, not possible before, to present high-quality visuals in real-time with accurate lighting, shadows and material appearance. KeyShot Viewer is a new, freely available application for users who desire to share their work in design reviews, product presentations or as a configurator on high-resolution displays. KeyShot 7.3 builds on this with the release of KeyShot Viewer. With KeyShot 7, users gained the ability to create unlimited Studio, Model, and Material variations useful during various stages throughout the product development process. Tustin, California, April 5th, 2018 – Luxion, a leading developer of advanced rendering and lighting technology and maker of KeyShot®, the first real-time ray-tracing and global illumination program for 3D rendering and animation, today announced the release of KeyShot 7.3, and with it the all new KeyShot Viewer, a free, feature-rich application to compliment design reviews, interactive presentations and visual collaboration. KeyShot Viewer provides high-quality, interactive visuals for presentations on desktop, laptop or tablet. We had cousins who had the “big house,” and there were all these swords in the front hall, and of course they were rusted, and I would frighten my brother to death and say blood curdling and dried on these swords. Of course, they didn’t know it was called Reconstruction, so I grew up hearing all that “after the war” stuff, and it was very scary. I don’t know, in the 1870s? They had early memories of Reconstruction. We have nothing to do but drink and talk. If you’re the first of three things, they’re going to let you live. That’s how to protect a little gay child in North Carolina. I was the first son, first grandson, and first great-grandson. I was lucky enough to have one great-grandmother alive and one grandmother. My brother is now a theater designer-Robert Long Associations-and my sister sings in the choir with The Lost Colony every summer.Įverybody tells stories down. my brother and I went to Yale Drama School. Talk around the dinner table was always about actors, plays, fellow directors, and careers. We were denuded of our parlors-the paintings all the furniture. Well, the front room went and was on stage. I remember once my father was directing a production of The Heiress. The front hall became the scene dock, and the dining room table was where my mother made costumes, literally. The family work in The Lost Colony in the summers-every summer-and in the winter my parents were at the Raleigh Little Theater in Raleigh, then at Chapel Hill with Playmakers, and then we went to Rock Hill, South Carolina, where my father founded the theater program-the department of dramatic art at Winthrop College, now Winthrop University. My brother and sister and I have been working with The Lost Colony for decades. His master’s thesis director was Paul Green, who wrote The Lost Colony, and my mother and father met at The Lost Colony. He went to Chapel Hill his undergraduate and graduate. To say that this changed the lives of this one part of a farm family is completely true. Can you imagine? After four years of working with her, he was given the very first scholarship in playwriting to UNC as a high school student. Bernice Kelly was her name, and my father was in her very first playwriting class. One of her classmates was the great Paul Green and his wife Elizabeth Lay. The lady who came to teach playwriting had graduated from the Carolina Playmakers early on. In this little town, Seaboard, the town fathers and mothers decided they wanted their kids to have some refinement, so in the 1920s they taught elocution, Greek, and playwriting. My father was the youngest of eleven children. I’m from a farm family in Northampton County. When it comes to his career path, Long says, “Yes, the apple fell directly beneath the tree.” William Ivey Long The family spent every summer in Manteo working on The Lost Colony and even lived in the stage left dressing room of Raleigh Little Theatre for a number of years in the late 1940s. His father was a drama professor and stage director, and his mother was a playwright, actress, and drama teacher. And in the Tar Heel State, he’s celebrated for a forty-five-year relationship with America’s longest-running outdoor symphonic drama, The Lost Colony. Long, a six-time Tony Award–winning costume designer, is nationally known for his work on Broadway hits including The Producers, Young Frankenstein, Hairspray, Nine, Grey Gardens, and Cinderella. Not because he wandered away from his native Seaboard, North Carolina, for a studio in New York’s Tribeca, but because he consistently returns home. You could say there’s something lost about William Ivey Long. |
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